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Throughout my photographic career, I have had many mentors, among photographers: Ruth Bernhard, & John Sexton whose workshop I attended in 1995 and in 2001 and R. Mac Holbert of The Image Collective, Ashland, Oregon. In 2004, I attended a workshop under Mac when he was still the principle owner of Nash Editions, Manhattan Beach, California. More recently within the arena of digital capture, my photographic career has taken another step. I have entered into the author’s world with my first published non-fiction book: “Sea Winter Salmon: Chronicles of the St. John River”. I felt the need to revive this story about our family’s fishing camp in Eastern Canada and re-assemble it to uncover generations of dust. This proved to be a daunting journey during which a fervent archivist in the person of Eileen McCormack. Together, we weave a story which is sometimes dramatic, occasionally tragic, often amusing and, at other times, informative with regard to the challenges of this remote and delicate region. This book addresses itself to historians, biographers, conservation biologists and no less, to fisher women and men everywhere.
www.seawintersalmon.com
Throughout my photographic career, I have had many mentors, among photographers: Ruth Bernhard, & John Sexton whose workshop I attended in 1995 and in 2001 and R. Mac Holbert of The Image Collective, Ashland, Oregon. In 2004, I attended a workshop under Mac when he was still the principle owner of Nash Editions, Manhattan Beach, California. More recently within the arena of digital capture, my photographic career has taken another step. I have entered into the author’s world with my first published non-fiction book: “Sea Winter Salmon: Chronicles of the St. John River”. I felt the need to revive this story about our family’s fishing camp in Eastern Canada and re-assemble it to uncover generations of dust. This proved to be a daunting journey during which a fervent archivist in the person of Eileen McCormack. Together, we weave a story which is sometimes dramatic, occasionally tragic, often amusing and, at other times, informative with regard to the challenges of this remote and delicate region. This book addresses itself to historians, biographers, conservation biologists and no less, to fisher women and men everywhere.
www.seawintersalmon.com
Birch Bark
Mari Hill Harpur
Archival pigment print (16x24") $2500
Pierre and his father Philippe Pietacho, 1995
Mari Hill Harpur
Silver gelatin print (9x11") $1500
A carved reproduction of Louis W. Hill Sr's 1906 record salmon
Mari Hill Harpur
Archival pigment print (9x12") $450
Village of Riviere Saint-Jean
Louis W Hill Sr. c1900
Archival pigment print (23x34") $1700
Innu in Canoes, 1913
Louis W. Hill Sr
Archival pigment print (8x12") $2000
Robert (Bob) Minor holding what is believed to be teh largest salmon caught on the Saint John River, 1906
Courtesy of the Minnesota Historical Society
Archival pigment print (54x34") $2500
A fishing party travelling in canoes
Louis W. Hill Sr
Archival pigment print (19x50) $4500
Seagulls at the estuary, 1997
Mari Hill Harpur
Silver gelatine print (9x11") $4500
Innu at Hill Camp, 1913
Louis W Hill Sr.
Archival pigment print (7x12") $2000
Looking south to Riviere St Jean
Louis W Hill Sr
Archival pigment print (27x41") $4500
Deborah, 2014
Mari Hill Harpur
Archival pigment print
Small (9x13") $1500
Lare (12x18) $2500
Evening return to camp, 2008
Mari Hill Harpur
Archival pigment print
Small (16x23") $ 1500
Large (24x35")$ 2500
Side view of James J. Hill's steamer, the Wacouta
Louis W. Hill Sr.
Archival pigment print (43x27") $3500